Having recently released their first single, “Lightning” from forthcoming sophomore album Horizons, Bag Raiders (Jack Glass and Chris Stacey) are now ready to share their second: “Wild At Heart”, featuring Sydney based hero Mickey Kojak.
"Wild At Heart" is about being free, exuberant and full of life - feeling as though you have the whole world at your feet. It’s less about love and relationships, and more about the high of being young and untouchable. The track evokes the nostalgia once felt at the beginning of summer holidays or on your last day of school.
Bag Raiders say on the single: “When we wrote this we were imagining a whole gang of kids singing the chorus. It felt like we were writing the anthem to our teenage selves! Everyone knows this feeling except, perhaps, the people who are in it! So there’s some nostalgia there too. But overall we wanted this to be as exuberant and in your face as possible. It’s rude, loud and proud!"
“Wild At Heart” joins previously released single “Lightning” on the duo’s impending sophomore album Horizons. “Lightning” has already clocked over one million streams on Spotify and support from triple j, Apple Music, Amazon Music, Music Junkee and more. Horizons, due out later this year, documents the journey the production dream team have been on since the release of their ARIA-nominated, self-titled debut in 2010. From club stardom to world tours and festival slots, the pair have built a reputation for mammoth dance releases that keep the world moving with them, including multi-platinum, global hit "Shooting Stars", the widely-loved “Way Back Home”, gold-certified “Sunlight”, as well as a string of EPs and remixes for the likes of Riton, Totally Enormous Extinct Dinosaurs, Crooked Colours and Banks.
Back and better than ever, Bag Raiders today deliver on another stellar release to adoring and loyal fans worldwide. With the brand new album Horizons on the way, Australia won’t have to wait long to catch the dynamite live, but for now enjoy the fresh new tune and prepare yourself for what’s to come.
Cassian got his start in historic Kings Cross nightclub Candys Apartment, throwing a recurring party called “Ram Jam” alongside the likes of What So Not, Alison Wonderland and Hayden James. In 2009, he signed his first track to Bang Gang, finding a receptive home for his funk and disco-influenced creations. In the years that followed, he would go on to join the likes of Sweat It Out and Nurvous Records, gaining international attention with tracks like “Running” and “Feel It.”
Around the same time, Cassian began working in the studio with another rising Australian act, RÜFÜS DU SOL. After providing an official remix for the group, Cassian would go on to mix the trio’s critically-acclaimed sophomore album ‘Bloom.’ In the time since, Cassian has become an integral part of the RÜFÜS family, touring the world with the group and collaborating on their latest album ‘Solace.’
Now, fittingly, Cassian has joined RÜFÜS DU SOL’s new imprint Rose Avenue as the label’s first signing. Cassian will bring his forthcoming debut album to the label: a raw, analog-driven LP showcasing Cassian’s tenacity for polished songwriting and analog synths. Exploring the cyclical nature of relationships, it’s easily his most personal work to date, and a signpost for the future direction of the Cassian project.
In many ways, it feels as though Cassian is entering a new era of his career. Having relocated to Los Angeles, and standing on the precipice of his first-ever album, the future is bright for the young Sydney musician. With his sights set on building out his live show, Cassian is undeniably coming into his own as an artist, and it’s impossible not to be excited for what’s to come.
Chase Zera has been spreading her talents across the performing arts scene since the age of six. She grew up excelling in every dance genre from commercial jazz to hip-hop and cabaret. She then began singing and writing her own original material at the age of thirteen as well as learning the piano to refine her craft.
Chase Zera was accepted into the Australian Institute of Music and studied Composition and Audio Engineering as well as attending Ableton Live School where she learned the basics of music production. This helped spark her passion for pop and electronic music and allowed her to experiment and find her signature brooding, pop-house sound.
She has also collaborated in writing and production with various artists such as Xavier Dunn, Stu Turner from Set Mo, Commandeur, Bajillionaire & GANZ.
Chase Zera's sound can be described as upbeat and electrifying, with the addition of her airy vocals, consistent with a distinct vibrato. Her live shows are packed with high energy as Chase showcases powerful, bold choreography alongside her dancers.
‘Clovers’, the debut single by Chase Zera was premiered by Purple Sneakers on 1st March 2019. ‘Clovers’ made its mark on Spotify’s prestigious ‘New Music Fridays’, ‘House Party’, ‘Office Stereo’ and ‘Pop Edge’ playlists. The single was also played on Declan Byrne’s ‘Home and Hosed’ on Triple J and added to the Triple J Unearthed weekly podcast, charting on Triple J Unearthed in its first week of upload.
“It’s a pop anthem that works hard to showcase her songwriting abilities, vocal prowess and production skill. The complexities of the lyrical content are reflected very aptly in the hard-hitting production, and the slick sheen of this one comes through with years of experience.” – Purple Sneakers.
Emerging from the depths of Tasmania are Allan McConnell and Finn Rees who are Close Counters. Coming from a background in jazz, the boys have moulded their sound into an electrifying fusion of electronic, house and soul with a healthy dose of dense synths and driving basslines.
Since their recent beginnings, Close Counters have supported the likes of Peking Duk, What So Not, Tall Black Guy, Tkay Maidza and Shaggy.
Their first single “Fluctuate” was named Track of the Day on international music blog Indie Shuffle, and the track’s music video was aired on ABC TV’s RAGE program. Australian website Pilerats described their debut EP as “diverse as it is interesting as it is just plain groovy”, and Triple J host Veronica Milson dubbed their single “Picture Me” a “straight up party tune from the word go!”.
Close Counters have performed audio/visual sets, DJ sets and live shows ranging from stripped back club mixes to multi-instrument setups with featuring vocalists. Finn and Allan are both experienced performers and have played at events including Falls Festival, Strawberry Fields, MONA FOMA and Party in the Paddock.
They kicked off 2018 by releasing their first full-length project called SOULACOASTA, a 12-track whirlwind ride through soul with no safety brakes. The project developed during Close Counters nine-month Europe trip, in which they dug up a number of rare groove records whilst crate digging. The end result is a dance-floor worthy mixtape of organic house/boogie/disco and more.
“Way Out ft. Au Dré” is Close Counters latest release, out - their first track out via Exist. Recordings. The disco-soul track continues to deliver their signature brew of body grooving beats and will be part of a larger body of work still to come...
The South African-born, Australian-raised Dena Amy is a chameleon of the arts; an accomplished DJ, singer, producer, dancer and actress. Having spent the past few years writing, recording and touring across North American, Dena has recently relocated from Los Angeles to Sydney to continue her journey and accolade as one of Australia’s most important new electronic artists.
Inspired by her homeland and the great Nelson Mandela, Dena’s tribal club hit ‘Jol’ [for prominent dance imprint Sweat It Out] was a celebration of hope and happiness, and received international support from Black Coffee, Claptone, Horse Meat Disco, Kollektiv Turmstrasse, Nora en Pure, Roger Sanchez, Danny Tenaglia, Mark Knight and Purple Disco Machine to name a few. On ‘Your Eyes’ [Stoney Roads Records], Dena combined her beautiful emotive vocals to the brooding bliss-house production of London Topaz to devasting affect, whilst ‘Wait For You’ [WM Music] hit harder in the club, with Dena’s delicate vocals soaring over the deep, thumping bass. Dena returned to Sweat It Out for her collaboration with Kyle Watson on ‘Weaker’, her soft layered vocals complimenting the wubbing synths of this darker house track.
In 2016, RÜFÜS DU SOL released ‘Hypnotised’ feat. Dena Amy, taken from their acclaimed second album ‘Bloom’. Dena supported RÜFÜS DU SOL as a DJ across their extensive North America album tour, performing the song live at iconic venues including New York’s Terminal 5 and Colorado’s Red Rocks. The RDS tour followed another major North American run for Dena, where she jumped on main support for Hayden James’ ‘Just A Lover’ tour, plus joined him on stage to perform ‘Something About You’. Closer to home, Dena toured with London electronic artist Tourist in early 2019.
Since breaking onto the scene a few years ago, Dena has stockpiled a seriously impressive list of festival and club plays both here in Australia and the United States. On this side of the Pacific Dena has wooed crowds from Splendour in the Grass, Falls Festival, FieldDay and FOMO, to Harbourlife, Beyond The Valley, Spilt Milk, For The Love and Snowtunes. In the U.S Dena has played at Coachella, EDC Las Vegas, CRSSD Festival, Electric Forest and a number of exclusive RÜFÜS DU SOL & Friends events. Plus, she’s sailed international waters with Holy Ship [dropping a b2b set with Louisahhh and Sita Abellan] and returns to Fiji’s Your Paradise in 2019 for a second idyllic year in a row. Dena has recorded a live stream mix for Mixmag’s global series and late last year was handpicked by the dance music bible for a creative-focused writing camp in New York together with Little Boots, Kidnap and Moon Boots. Around the traps Dena has shared the stage with The Black Madonna, Bob Moses, Rampue, Gerd Jansen, Denis Sulta, Green Velvet, Kaytranada, Yotto, Palms Trax, Patrick Topping, Fisher, MK, The Blaze and Duke Dumont amongst others.
From South African street parties to LA rooftops, Sydney sunsets and sweaty Berlin warehouse raves, Dena’s musical palette is rich and well refined. Her desire to represent a visual motion of movement and expression through dance – whether in the literal sense or through the speakers is her main driving force, and she is excited to share a wave of new music over the coming 12 months.
To put it another way, Dena Amy is only just getting started.
Like that of the eponymous asphalt devourer he draws his name from, Jensen Interceptor has no time for obliging introductions and lame rides across techno dullsville. Well one to mash and smash, Mikey Melas' sound is entirely designed to sling a brick into the game's well-oiled mechanics by way of contribution. Having amassed an enviable amount of releases for some of the finest labels out there, including Maceo Plex's Lone Romantic, Cultivated Electronics, Spectral Sound, Turbo Records, UTTU, Boysnoize Records, CPU, his own label International Chrome co-founded with long time collaborator Assembler Code, and countless more, the Sydney born and raised whizz has long traded his worn out brakes for some hounding breaks, and made the acid rave playground his area of expertise, as asserted by the reactions triggered off by his live appearances at today's most renowned festivals and parties - literally tearing apart the likes of Dimensions, Tresor, Nuits Sonores and the late Concrete's ever picky dance floors upside down.
Speeding the Jupiterian highway for a routine, Jensen Interceptor guns for the weak-kneed and the bone-weary, luring the dancers shapeless mass into a house-of-god'esque lair to feed them on his volatile mixture of high-octane, Detroit-perfused electro, post Tour de France Kraut & EBM, and alien sounds sourced further afield. With a dozen 12-inches in as many months, needless to say 2018 has been a record-breaking year for Mikey, setting new standards for a producer who's been tirelessly gathering momentum; neither easing off the gas pedal in terms of studio grind, nor yielding to the main industry's distinct production standards. Unpigeonholeable by nature, the release of his highly anticipated debut full-length, 'Mother', on Lone Romantic crowned him as a producer with a much broader vision than the single/EP format ever allowed the short-stay listener to understand. Seismic bass bomber, hyper-reliable floor steersman, but above all a deadeye epic workout composer with a sixth sense for melody making: no mystery as to why artists such as Aphex Twin, Helena Hauff, Dave Clarke, Stingray, Nina Kraviz and The Hacker have all come to endorse his music wholeheartedly so much JI is a safe, yet uncompromising bet. Strike hard, strike sure.
Few artists deserve the title of “prodigy” more than 20-year-old Just A Gent.
After teaching himself to produce when he was still in primary school, in 2014 – at age 16 – Just A Gent scored a set at national festival Listen Out after winning a triple j Unearthed competition. That kicked off a star-making two years that saw him remix artists like Alison Wonderland, Peking Duk and ZHU, clock up millions of SoundCloud plays on his 2015 single Limelight, get noticed by Skrillex and sell out shows around the country – all before he could legally step foot in a club.
Now comes Stories To Tell, out August 26, an EP Just A Gent wrote, produced, mixed and mastered himself from his bedroom in Maitland. At eight tracks deep, Stories To Tell is no throwaway release - it’s the product of two years of relentless creating and the drive to a make something that would stand the test of time. Sharing the EP is a milestone moment for producer Jacob Grant. “I’ve wanted to release something this big for a really long time and now it’s finally happening,” Grant says. “I make so much music - I have hundreds of songs sitting on my laptop - so it’s really satisfying to be sharing it with people.”
Two singles from Stories To Tell - the supersized Heavy As A Heartbreak featuring LANKS and fan favourite Loaded - have already done big things, the former hitting the #1 spot on blog aggregator Hype Machine and spending five months on high rotation on triple j.
Jacob’s influences for the EP were “drawn from so many places,” from the music of Odesza and Point Point to sci-fi movie soundtracks and video games. At the core the tracks are electronic, but they aren’t wed to a particular genre, running the gamut from bangers to experimental tracks featuring his own pitched-up vocals and chilled out headphones music. As he says, it was “meant to be a mix”.
Just A Gent also drew inspiration from the vocalists he worked with on Stories To Tell. Despite already being a star in North America, Grant chose to tap into Australian singers for his EP, from Melbourne’s LANKS to triple j unearthed darling Melissa Ramsay. Just A Gent says it’s about paying it forward to the local scene that he thinks, “Keeps getting bigger and better”. Many of the songs on the EP were sent back and forth between him and the vocalists; a workshopping process that Jacob says helped him see his beats in a new light.
Leading the EP is the emotive new single Rolling Dice, which saw Just A Gent collaborate with vocalists Ella Voss and Joey Chavez. “They sing in a duet almost and they work so well together. It almost sounds like an Angus & Julia Stone type of vibe,” Grant says. “It’s pretty amazing. They killed it on the vocal.”
The Stories To Tell EP is the latest in a year of big moments for Just A Gent. He’s just signed to Lokal Legend in the U.S., the label responsible for breaking Kiesza, and in July he premiered his first live show in a packed set at Splendour in the Grass.
Lex Deluxe is a connoisseur of all things movement.
Drawing inspiration from artists far and wide, Lex has the ability to travel from genre to genre without breaking the groove. From Optimo to Todd Terje, Letta Mbulu to Peggy Gou, you’re transported from 1962 to 2043 before you know even what’s gone down.
With recent appearances at Splendour In The Grass, This That and Groovin’ The Moo, hopping on main support for Confidence Man, The Presets, Total Giovanni, DJ Seinfeld and CC:DISCO!, Lex has well and truly carved her name into the Australian dance scene.
Her musical interest goes beyond just DJing, Lex has a backlog of releases ready to hit the global airwaves. Taking 4-to-the-floor beats paired with wacky, rare samples, Lex Deluxe’s forthcoming tracks exceed her reputation.
Don’t take your eyes off the prize, this one ain’t just your average artist. She’s exclusive. She’s luxurious.
From throwing parties as a teen, to working in events for VICE and Ableton and hosting shows on triple j and FBi Radio, Luen has come to maturity within Australia's musical landscape.
She’s been holding free womens DJ Workshops for the last year, teaching female identifying, non binary and trans women across Australia how to navigate DJ Decks and curate music for different spaces. Luen has supported Peggy Gou, Wolf + Lamb, Red Axis, Dj Seinfeld, Honey Dijon and DJ’d around the globe from Portugal to London and Colombia to Peru. She also works alongside DJ's Jad & The and Dom Bird to bring forth the Beats Of No Nation music podcast.
Her own curated 9 track compilation 'Taxx Vol 1' dropped in May alongside the Taxx 1 music zine (ft Nabihah Iqbal, Noise In My Head and Ewan Jansen) which is available and in stores now. Behind the decks Luen takes a wide approach, mixing house and techno classics with tasty and rare oddities.
Mickey Kojak regularly takes his fanbase on an eclectic ride from club thumpers to abstract slow jams. The producer/vocalist takes inspiration from a merging of new and old technologies and styles, leading him down fresh, untapped stylistic paths, and we’re all too happy to follow along.
Growing up in the spotlight, Mickey’s debut 'Feel My Pain' was a huge success landing him his first Triple J rotation, a record deal with Sweat It Out, as well as a slot at Groovin’ The Moo and Splendour In The Grass. Amongst his first shows were a national tour supporting Hayden James, Crooked Colours and special guest appearances at the Alison Wonderland Warehouse Project.
In 2017, we saw him release his ‘Surrender' EP through Australian dance music mainstays Onelove, a huge tonal step forward, exploring a new range of sounds and styles. This was supported by a jam-packed year of Australian touring, including his first theatre run alongside Motez. The record has been streamed more than a two million times domestically.
2018 began with two monster covers of Daft Punk and Mac Demarco, both of which landed him the coveted top spot on HypeM.com.This led to a vocal feature with American festival closer K?D for his single ‘Electronic Memories’ and a joining of forces with newly founded Republic Records imprint Alt:Vision.
‘Get Out’ made an impression across the globe, being supported enormously by Sirius XM’s Alt Nation and Peru’s Doble Nueve. His follow up track “All That Acid” was spun over 150 times on triple j and led to Mickey playing headline shows at Sydney’s Oxford Art Factory and Melbourne’s The Worker’s Club. These singles become the groundwork for his latest EP ‘Together’, featuring guest vocals from one of Australia’s most spectacularly infamous performers, Bluejuice’s Jake Stone.
Mickey’s latest release is a collaboration with Bag Raiders on their single ‘Wild At Heart’ - they will be touring together in August in what is sure to be an absolutely monstrous run of shows.
It was dark days, back in 2011. The party was flat, the records had no fizz and the rave had expired. Enter the Motorik Vibe Council. Coming at this game hard, with a mission to raise the level of party discourse. Educated at Bang Gang High, with further studies at the Berghain Institute of Techno and careful post-grad research with legends of the game like Ewan Pearson. One of them even has an ARIA award for excellence in the field of dance. Careful there, these boys are coming in hot!
Moving their self-titled parties virtually every single time, from basements of abandoned comedy clubs to male strip joints/life painting establishments, constantly pushing the boundaries of style, taste and the law. Eventually, the Vibe Council found themselves inside a warehouse, and, as they say, a legend was born.
3 years of non-stop lasers, neighbours calling the police due to too much untz, and many half-naked/face-painted rave legends getting heaps wild to the forward-thinking techno/house/whatever you want to call it sounds of the MVC. It’s been emotional. We’ve hosted the first ever Australian shows of Brodinski and Gesaffelstein, had bouncing castles in the middle of the dancefloor in cavernous warehouses, had Tiga play a sweatbox which happened to have more than double the legal capacity crammed inside and - somehow - still managed to get away with it.
To quote the 4 muntketeers themselves: “We like pushing the envelope. We don’t adhere to any particular style, but we do rep hard for Sydney - it’s our home, and we try make it a welcoming place for anyone who shares our views on life, rave and drum machines.”
Their nascent record label has released hits from local boys gone good The Finger Prince, Jensen Interceptor, Light Year and CSMNT61, plus hits from international legends of dance like Louisahhh!!!, Harvard Bass and Sinden (coming in July!). Rumour has it that drum connoisseur K.I.M. of The Presets also has a forthcoming slice on the MTK Pizza of Rave. It’s exciting stuff - absolute seat of your pants excitement.
They are proud to be the point of call in Sydney for legends like the Bromance crew, including family members Maelstrom and Louisahhh!!!, as well as the aforementioned Tiga and his brother Thomas Von Party (of the world famous Turbo Recordings Supermarket), as well as hosting cheeky little numbers with crew like Harvard Bass, Guy Gerber, Cagedbaby and Jon Convex of Instra:mental.
The Vibe Council continues to play all over Australia, as well as increasing the volume at their parties, which of late have included sold out shows at the Metro with Brodinski and Gesaffelstein (for the second year in a row) as well as their spiritual home at Elsewhere on the Gold Coast, plus the occasional smash-and-grab run down to Melbourne to play at anything Delaney and the Baha Brothers are running.
Most of all, though, they are focused on providing you, loyal reader/listener, with the tools to be a self-contained legend of dance. Anything that makes you reach for the lasers, it’s in the bag, and, most likely, heading your way on the airwaves.
See you at the partee/drive home/anywhere you can turn it up!
2017 was an incredible year for MUTO. Reaching millions of streams on Spotify, being hand selected by ODESZA as main support on their European album tour and conquering a 26-date tour across Australia, were just a few of the milestones this proud Sydney-sider ticked off over the past 12 months.
Recent records like ‘Wildfire’ and ‘Say Nothing’ have further grown MUTO’s musical stature, with both being added to high rotation on Triple J. First came the emotionally driven adventure, ‘Wildfire’, followed up by ‘Say Nothing’, a stunning composition highlighting MUTO’s uncanny ability to craft warm electronic textures around Emerson Leif’s vocal prowess. It’s this record that listeners truly can’t get enough of, as it nears 5 million streams on Spotify.
As we reach the half way point of this year, MUTO’s decided it’s about time he gave us the third taste of his highly anticipated EP. ‘Tessellating’, featuring the vocals of neophyte Oliver Dibley, is a stellar record that yet again shines light on his tricky approach to production. It’s a gorgeous tale of the interchanging nature of a relationship, the way they chop, change and bend dependant on whose lens you’re looking through.
With a cohort of champions such as Flume, Odesza & Hayden James and being touted as one of Triple J’s BREAKTHROUGH ARTISTS OF THE YEAR, MUTO’s prepped to unleash his first extended body of work in his ‘Arcane EP’. Coinciding with the release this July, comes his inaugural Splendour in the Grass performance, backed by a 10-date Australian Tour.
‘Arcane’ is a sonic rollercoaster of a debut 7-track EP, flaunting his production prowess. Released through Australian independent label Of Leisure and Universal Music, MUTO is prepped to enlarge his Australian following and take future escapades into Europe and the US, spreading his appealing brand of electronica.
After a beautifully busy 2017, there’s no question that the live stage is where MUTO thrives. With a large solo tour and festival announcements incoming, MUTO will continue to grow and flourish, whilst also hunkering down to produce his next collection of magically engineered sonics.
POLOSHIRT is the collaboration you've been waiting for. The coming together of singer/rapper/multi-instrumentalist Winston Surfshirt and live production duo Polographia, the joint project is the culmination of years of friendship and late night studio blazes. This musical alliance is set to fuse together and highlight Winston’s unique blend of funk, soul and hip hop and Polographia’s timeless approach to electronic sounds. On stage POLOSHIRT bridges the gap between cartoon and reality through visuals and fashion, they truly deliver a feast for the eyes.
With influences ranging from 70's slow jams to 8-bit anime, POLOSHIRT is a familiar sound with a modern approach ready to be served.
POLOSHIRT is booked exclusively by UNDR Ctrl for Australia & New Zealand in conjunction with the Niche Talent Agency.
Purple Sneakers has existed for the past twelve years with the purpose of showcasing emerging club music from Australia and around the world. Bringing together an enthusiastic team of contributors from across the country, Purple Sneakers is the centre of a forward thinking, music loving community. Purple Sneakers DJs have been central in continuing this ethos, taking it to clubs and festivals all over the world. From the early days at the Abercrombie to now, they’ve played just about every Australian festival there is to play and have participated in campaigns for brands like Nike, Converse, Adidas and many more.
Over the years, the Purple Sneakers DJs roster has featured the likes of Purple Sneakers’ founder Martin Novosel, Nick Luke (Moonbase), Gabe Gleeson (Indian Summer), Randall Stagg (Fresh Hex) and more.
Now in 2018, Purple Sneakers DJs are moving forward with a new chapter. Purple Sneakers DJs: Next Generation celebrates a new generation of creatives who are passionate about what they do and are ready to impart the work of tasteful young artists upon dancefloors everywhere.
The new lineup features FBi Radio/Pretty Broad’s Caitlin Medcalf, Purple Sneakers Subeditor Holly O’Neill & FBi Radio’s Eddy Diamond, and is managed by Purple Sneakers managing editor, Emma Jones. Each with their own unique path as to how they came to be part of the Purple Sneakers family, they represent a fresh and new part of the Purple Sneakers journey so far. Among all three DJs, they have experienced the industry in their own capacities and bring their own unique sounds, styles and experiences to Purple Sneakers DJs, making shows a diverse experience.
The core members of PSDJ’s may have changed over the years, but if one thing is for sure, it’s that this new team of selectors are dedicated to bringing adaptability, flexibility and a wide scope of music knowledge to the table and dancefloors everywhere. Over the next few months, Purple Sneakers and Purple Sneakers DJs will be celebrating this next generation of the collective with parties, mixes and a whole bunch of other exciting things to come.
Well groomed, well mannered, well spoken, well dressed, well liked: Set Mo are the DJ / producer duo your mother didn’t warn you about, and in fact, would be glad for you to invite home for dinner — before happily sending you out for an evening of 21st-century-sophisto-disco debauchery with the boys. They seem so nice and trustworthy. (Well, until you’ve witnessed the sweaty, multisensory, marathon-set mayhem of their already kinda legendary Stamina Session club nights, that is.)
Comprising Sydneysiders Nick Drabble (short back’n’sides) and Stu Turner (goatee and ponytail), Set Mo came together in 2012 when the two DJs, who’d often found themselves on the same bill, decided their sounds were so complementary that perhaps they should test how tag-teaming tracks back to back would sound. Pretty good, as it turned out. Studio forays soon followed, resulting in tasty classic house-tinged, guest vocal-driven cuts including Comfort You (feat. Fractures), Chasing Forever (feat. Alphamama), Keep On (feat. Erin Marshall) and the breakout White Dress (feat. Deutsch Duke). Yeah, you heard that one, right?
The distilled sound of a blissed-out Australian summer — albeit, written in London after an eight-day bender in Ibiza — White Dress was the 11th most-played track on Triple J in 2014, and has clocked up more than 20 million streams on Spotify since its launch. Licensed for full release in 11 countries outside Australia (where it was on etcetc), via heavy-hitting majors Universal (Sweden, Norway, Finland, Denmark, Iceland, Baltic States) and Warner (GSA & Russia), in addition to proving popular Stateside, it was a particularly big winner in Germany. “We’re really into artists like Booka Shade from Germany that maybe play a bit deeper than us,” Nick opines, “and I think that influence came through and struck a chord, resonated with people over there.”
Since White Dress broke, Set Mo certainly haven’t been resting on their laurels. Mid-2017 saw the release of vocal house beauty, I Belong Here (featuring lilting Townsville-bred singer/songwriter Woodes on the mic), which received high-rotation support from Triple J, props from UK Radio 1 tastemaker, Pete Tong and Spotify nods of approval via New Music Friday in Australia, Germany, France, Sweden, Norway and Iceland. The past 12 months have also seen a relentless series of sold-out shows and high-profile festival sets, including closing the main stage at Beyond The Valley 2017, opening the new year playing to a capacity crowd at Field Day 2018 and smashing dance floors at a string of sold out show on their 24 da. Vitally though, the guys managed to find plenty of time to record new music — stuff that just might surprise you.
Nick and Stu are huge Groove Armada fans (“I can remember exactly where I was, as a kid, the first time I heard Superstylin’,” Nick enthuses — “it changed my life”). In a way, the new material’s approach and production process echo that of GA’s wildly diverse 2001 album Goodbye Country (Hello Nightclub), which was recorded during nine hermetic months at a studio in a barn in the Cotswolds boondocks. Set Mo didn’t ‘go bush’ quite that long, but last year, they did get away from it all — in the process, getting away from what’s come to be thought of as their signature sound.
At one point, Stu explains, “We spent 10 days in the country on a writing trip, rented this house, set the studio up and were just writing day and night, punching out as many tunes as we could.” Going totally off-grid “was amazing, there was no internet, no mobile network, just this shoddy landline,” says Nick, “and we didn’t give that number to anyone but our girlfriends and our manager.” They also put in time at unfamiliar studios in far-flung places like London, Amsterdam and Berlin. With the change of scenery, lack of distractions and offline peace’n’quiet, says Stu, “we found ourselves writing this stuff that wasn’t a million miles removed from what we’ve done in the past, but it was different — we were experimenting with different tempos, different sounds, and we came up with these songs… There’s a cohesive sonic pallette, but stylistically they could be confusing to people who are purely White Dress fans.”
Hence the decision to (wait for it, this is big) release a new tune each month throughout 2018, which kicked off with February’s drop, Nightmares, a gritty breakbeat number featuring British multi-instrumentalist Scott Quinn on vox. Though their rep thus far has been built on hooky lyrical tracks — and Nightmare’s sure no noodly minimalist instrumental — there’s been more left-of-centre surprises from Set Mo including their moody March drop Unity. “We want people to know we’re not just doing 4/4 beat, vocal stuff,” says Stu. “We love artists like Chemical Brothers and Groove Armada, or Moby and Jamie XX — you listen to their albums, they’ll have big, deep electronic dance tracks, and then delicate, soft, beautiful songs. We don’t want to be pigeonholded as just house DJs. We’re so inspired by different styles of music, and want to express that,” says Nick. Concludes Stu, “No matter what type of music we’re making, when it comes down to it, we’re songwriters, we’re writing songs.”
Best believe, it ain’t all about four-to-the-floor. Set Mo have got much more in store. Each month, a new track, as a matter of fact.
A radio presenter, master of ceremonies, party promoter and one of the countries finest DJs. Shantan does it all.
Holding it down at triple j, Shantan Wantan Ichiban has been the go-to guy when the national youth broadcaster has needed someone with great music selection and microphone presences to bring the party to Australia across the airwaves. He has built a name for himself filling in regularly for Nina Las Vegas on ‘House Party’ and Linda Marigilano on Good Nights, and has just recently taken over Saturday Nights after Mix Up playing a wide spectrum of club music. Joining the dots between hip hop and house to get have you raving well into Sunday morning.
In addition to triple j and for several years now, Shantan has had a significant presence on Sydney’s FBi 94.5 FM. Not only does his show ‘Stolen Records’, play the broadest selections in urban and world music, but it is also one of the most popular shows airing in their Wednesday 6-8pm Sunset slot.
Similarly as a DJ, Shantan has proved to be one of the most versatile on the circuit. He has created some of Sydney’s most successful party nights across a wide range of genres. Through brands such as ‘Dutty Dancing’, ‘Player Haters Ball’, ‘Pop That’ and ‘Pineapple Republic’, he has built a reputation for fun parties turning even the darkest and dankest of rooms into a ‘queue-around-the-corner’ night club. Not surprisingly, Shantan possesses the uncanny ability to transform the quietest and most introverted party-goer into an ass-popping ratchet on the dance floor (just look at the Dutty Dance photos!). Some say this ability was learned but the legends have it as he was born with it.
Shantan’s gift to put together energetic sets across different genres has made him one of Sydney’s most sought after DJs. With an arsenal of Hip Hop, R&B, Trap, Indie, Dance, Throwback Pop Anthems and electronic music to pick from, his sets often obliterate any given dancefloor due to the sheer amount of dancing. He can be found playing festivals like ‘Splendour In Grass’ and ‘Secret Garden’ and is a resident at club venues such as ‘Goodgod Small Club’, ‘The Ivy’, ‘The Standard’, ‘Kit N Kaboodle’ and more.
Adding to an arsenal of already impressive talents, Shantan is also a master of ceremonies extraordinaire. With a personality and voice that commands attention, he has hosted stages at Festivals including ‘Field Day’, ‘Parklife’ and ‘Foreshore’, plus numerous concerts ranging from Mix Master Mike to Presets to Armand Van Buuren to MF DOOM.
A modern day renaissance man. A radio presenter, master of ceremonies, party promoter and one of the country’s finest DJs. When he does have free time, Shantan partakes in elbow modelling and breeds champion snails – which he races. What a guy.
“Shantan is a bonified rude boi party starter! I would get down on his dance floor any day.” Anna Lunoe (DJ, Producer, Singer, Legend)
“Shantan Wantan Ichiban is the physical embodiment of 3 million lolcats who escaped the internet. Each one of them is desperate to play a new song that’s wildly different to the one currently playing but Shantan makes it happen and keeps the lolcats (and the crowd) happy for his entire crazy and diverse set. He can get the whole club moving with just one well chosen song, and can keep them moving for 5 hours without playing one shit song.” Levins (Twitter Celeb, DJ, Hot Dog King)
“Australia’s number 1 DJ, if not the world” Shantan’s Mum
“Every time I see Shantan he always kills it. This one time when he wasn’t looking I plugged a USB drive into his laptop and stole a ridiculous amount of musical weapons to DJ with. He hasn’t found out yet though..” Sampology (Lord of di Dance)
Total Giovanni are a band that emerged out of the creative experimentation of five old friends Vachel Spirason, Julian Lichtenstein, Joseph Charles, Dave Reidy and Matthew Hadley. With varied backgrounds in music, dance and theatre the band played their first show in November 2013 and quickly built a formidable reputation for their unpredictable and incendiary live shows. In addition to displaying a unique musical rapport, these live shows involved visual experimentation and explosive physical performances that combined to set off a word-of-mouth phenomenon.
Within only a few months of their first show, without any promotion or label interest, they were performing sold out club shows at respected venues such as the Toff in Town, Shebeen and Howler.
In 2014 the went in to the studio for the first time and subsequently released a string of four singles, initially on the independent Melbourne label Two Bright Lakes and subsequently with Remote Control records. These songs received a great volume of air play on both RRR and PBS as well as JJJ and received a great deal of positive press include favourable reviews in Pitchfork, The Age and NME.
In 2015 they played Golden Plains festival and despite being arguably the least known act on the bill, their explosive and visually spectacular afternoon performance led to them being honoured by several thousand punters with the elusive golden boot (an except of which can be seen here- youtube link). This breakthrough performance announce Total Giovanni as one of the country's most exciting emerging independent acts and led to the band selling out 5 consecutive nights headline shows at the Gasometer Hotel in May 2015 and bookings to play at some of Australia's most prestigious music festivals including Splendour In The Grass, Sugar Mountain, Secret Garden, Outside In, Beyond The Valley and the opening night of Melbourne Music Week.
In 2015 their self-funded and self-made video clip directed by Sherwin Akbarzadeh won the band many new fans both around Australia and abroad and has since been viewed over 700,000 times across youtube and Vimeo. November 2015 also saw the band nominated for three Music Victoria awards for Best Live Band, Best Electronic Act and Best Emerging Artist.
Total Giovanni continued to play festival shows in 2016 while privately working on writing material for their new album which they hope to record this year. They are currently preparing for their imminent return to Golden Plains 2017 where they will be debuting a completely new visual spectacle to accompany their new musical material. The band are then looking forward to touring this show with a national headline tour booked for April/May 2017. With their 2014/15 singles having now accumulated over 3 million listens on Spotify, the band are very much looking forward to bringing new recorded music to their growing fan base world-wide.
UNDR Ctrl DJs is a collective of DJs from our talent roster and extended music family. From servicing venues for weekly entertainment to hosting festival stages, event launches, corporate functions and so much more, UNDR Ctrl DJs is a versatile booking solution for you to capture every mood, every moment and every beat.
We manage calendar schedules, program artists, arrange itineraries and logistics and work directly with clients to create bespoke music packages to suit every brief. Our talent is tailor-made for every event.
Underground, overground, left of centre, front and centre… UNDR Ctrl DJs have got you covered.
Sydney trio World Champion (Will Campion, Julian Sudek and Reg Harris) make their triumphant return with new single and video “Gun”, out today via Future Classic. Stepping back into the limelight with their first release since 2015’s Avocado Galaxy EP, the psych-soul-electronic outfit are back to shower fans with their signature sound we’ve been craving.
Campion and Sudek originally formed the band after bonding over their love for psych-pop and electronica. Julian was a founding member of Mercy Arms and has since played with Canyons, FLRL (Jono Ma, Kirin J Callinan) and most recently George Maple & Bag Raiders. Will Campion has both been a bedroom producer, and alongside local Sydney musician Bus Vipers formed indie outfit The Chevaliers. World Champion started as a studio beast; a patchwork of ideas and jams that they’d individually been sitting on for years.
World Champion quickly shot to critical acclaim with their debut EP Avocado Galaxy (2015) and the lively track of the same name, that was dubbed by Noisey as “zingy synth-pop at its finest". Gaining rotation across Triple J, FBi Radio and BBC 1, the EP set the tone for the band’s electrifying live show, which inspired fans to tattoo themselves with avocado galaxies and saw the band play at some of Australia's biggest festivals including Splendour in the Grass, Lost Paradise, Mountain Sounds, Groovin' the Moo and Volumes alongside boutique events in between. Having toured alongside the likes of Toro Y Moi, Chkchkchk!, Jagwar Ma and Parcels, the trio now gear up to drop their latest single "Gun" and a mammoth 7-track EP set to arrive this summer, showcasing the band's best material to date.